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eddiazx · 12 days ago

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bucked up - evan buckley x reader

You might be dying.

That might sound like an exaggeration, but with countless shots of fireball and tequila (don’t mix your alcohol, folks), you’re pretty sure this is what being at death’s door would be like.

Buck had the brilliant plan of throwing Chim a do-over bachelor party, even though Chim was no longer considered a bachelor. This time, Buck reasoned, everyone should be invited; the 118, their respective families, as well as people from Dispatch, including of course, Maddie. The party went well, a certified success compared to the first attempt. You remember Maddie and Chim dancing and being in love. You can also vaguely recall Josh and Eddie singing a duet on top of the bar, while you and Buck cheered them on boisterously.

The endless supply of shots were courtesy of Ravi and Lucy, both of whom you have already murdered in your mind. You would follow through with it if you could actually feel your limbs and get out of bed.

Speaking of the bed though, you realize belatedly that it was an extremely nice, pillowy soft one. It was the kind of beds that luxury hotels would have. It was definitely not yours.

You smooth your fingers over the thousand-thread count duvet cover, and you’re met with a sparkling glint of a diamond on your ring finger. You stare at it puzzled, before you take notice that you were entirely naked under the sheets.

Before you can continue your scary revelations, you’re interrupted by a grunt and an arm thrown across your waist over the sheets. The person who grunted buries their face into your (naked) chest, still completely out cold.

You look down to see a band that matches yours on the person’s finger. When you push gently on their forehead with your index finger to see their face, you make a noise that probably resembles that of a dying whale.

Because, in your drunken haze, you seem to have married your best friend and coworker last night. You married Buck.

What the fuck.

“Buck. Buck!” You whisper harshly, trying to wake up your friend/apparent husband.

“Huh?” Buck mumbles incoherently and sleepily, his mouth open against the the top of your breast. If your body reacted to that by tingling, no it didn’t.

He blearily opens his eyes. His eyes take a moment to focus on you, before he gives you a bright, dopey smile. “Hey, Y/N.”

Buck then takes inventory of the room and the state of undress on both your parts. “Oh. What the fuck?”

“Yeah, my thoughts exactly.” You sigh, rubbing your eyes with the heels of your palms. Buck notices the ring on your finger from your actions, and then glances down to see that he has a similar one.

“Holy shit. What the fuck!”

“We covered that already.” You say bleakly, sliding the sheets up to shield your chest. You’re not sure why though, it seems that the two of you had seen each other quite intimately last night, and you had been quite… active, if the trash can full of condom wrappers were anything to go by. At least you practiced safe sex. Safe, married sex. Jesus Christ.

“What the hell happened?!”

“I don’t know, but I’ve already thought of 30 different ways to torture Ravi and Lucy.”

Buck laughs, a hearty, booming cackle. The corners of your lips lift up involuntarily at the sound, like they always do when you were around Buck. He eventually gets up from the bed, and starts to move around the nice hotel room, trying to find evidence of last night. He goes to the dresser, where he picks up a paper, one that looks like a marriage certificate.

“It’s definitely legal.” He shows you, both of your full names written clear as day.

You were absolutely looking at the certificate and not Buck’s butt. Or the thing hanging between his legs. You don’t think he realizes he is naked, or if he did, he doesn't care.

You reach onto the nightstand where your phone is and check if you had any new messages. You don't, but you stumble across nearly 100 pictures taken last night, along with some videos.

“Buck, look.” You gesture at your phone, and he comes back to join you back on the bed as you scroll through. The two of you watch your past selves smiling brightly while putting rings on each other’s fingers. You go on to watch a video of Buck dipping you low, before he presses his lips on yours as your first married kiss. The video makes you feel so many things, and you weren’t sure what to do with yourself.

“I guess we should… get this annulled?” You propose, even though the words taste wrong in your mouth.

“What if we didn’t?” Buck counters softly, avoiding your eyes.

“What?”

“You saw how genuine we are in those pictures and videos. What’s that saying, drunk words are sober thoughts? What if we stayed married?”

“Buck, we weren’t even dating before yesterday. How do we go from 0 to 100?”

“I know, but.. something about this, being married to you, just seems right, don’t you find?”

“Yeah.” You agree honestly.

“I think I’ve had feelings for you since day one." Buck admits. "You're my best friend, so who cares if we do things a little out of order?"

You smile at Buck, because the situation might be crazy, but you loved this man regardless of what title he wore; best friend or husband. You rest your hand on his, and say, "okay Buck. Let's stay married."

Buck cradles your face, kissing you properly and soberly. If you had thought the video of last night's kiss was sweet, that was nothing compared to this one.

"I do have a plan for the rest of our day though," Buck says, pulling away slightly. "I think we should consummate our marriage again," he continues, smirking and waggling his eyebrows at you.

"I think that's an excellent idea, husband." You giggle, as you move to straddle Buck.

#evan buckley smut #evan buckley imagine #evan buckley x reader #evan buckley x you #evan buckley #911 imagine #911 x you #911 x reader #accidental marriage #I wish my experience with fireball and tequila had ended like this

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g0nta-g0kuhara · 3 months ago

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Ultimate Neurosurgeon - Miu Iruma!

Ive been absolutely obsessed with this concept for a few days now. Please indulge me in ranting about it gdhsjkfs

This talentswapped Miu has the same general backstory as canon Miu- she had an accident and fell into a coma, and when she woke up she had acquired her neurosience talent. Now Miu is completely uncertified and refuses to get any certification. Her genius is innate and the world should recognize her for it! But she also doesn't follow protocol to a horrifying degree- She doesn't follow dress code, she wears minimal PPE, her tools are gold coloured and not standard, and she operates without any licence.

Miu's status as an Ultimate protects her from legal action, and her 100% surgical success rate despite her refusal to partake in standard procedure keeps her reputation from completely tanking. However, she still can't work as a surgeon at any normal hospital, so she operates out of her own private clinic. Wealthy patients will often go out of their way to have her as their doctor. The nurses working under her are deeply uncomfortable with her behaviour, but she does get the job done... regardless, her overall reputation is kind of sketchy, but seemingly reliable.

In the killing game, I think this version of Miu could have a similar role to what she has in the actual game, but with a twist. Rather than working on inventions to help discover the truth of the game and escape, Miu focuses on discovering the mechanism behind the flashback lights. I think with enough work, (especially with the chapter 2 motive videos) she'd discover that the flashback lights were not bringing up forgotten memories, but inserting fake ones. Maybe this would cause a mental break that would lead to a similar outcome in canon ch4...

#miu iruma #kaede akamatsu #drv3 #danganronpa v3 #ndrv3 #danganronpa #drv3 spoilers #talent swap au #talent swap #pluto creations #accessible art #id in alt text

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leonw4nter · 7 months ago

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HAIII!!! I saw that ur requests r open!! Can u write a death island x gn!reader where the reader squeezes his cheeks n' it's all fluffy n' cute? I feel like behind all that muscle is baby fat that's just MEANT to be squeezed - 🐰

It Only Takes Half A Bottle of Whiskey

DI!Leon x GN!Reader

“Details of the mission coincide with the objectives laid down to consider this mission a success and therefore, I would like to consider this case closed and marked successful. Congratulations to our very own agents Kennedy and L/N.”

The room erupted in claps, lips spreading into relieved smiles. The last mission was not easy, many undertakings taken in order to see the mission to its success and one of the many measures taken was a false marriage between you and Leon, complete with a wedding and wedding bands, as well as expertly fabricated marriage certificates in order to pass as ordinary newly-weds who had normal jobs as IT technicians. The entire ordeal took almost 2 years, which seems plenty to the average person but an incredibly short notice to agents assigned on this demanding commission. Despite the mission being over, you two still had to uphold the married couple facade and keep working on the IT company before drafting letters of resignation in order to not rouse any suspicions with the people who had grown to know and be familiar with you and Leon. One of the procedures involved coming home together holding hands as you passed through the exit, getting in the same car, living under one roof, and retiring in the same bed.

As soon as you two get home, you rush over to collapse on the couch with a loud exhale before taking the glasses off of your face and setting them beside you. You recline your head and run a hand through your hair, eyes shut as you try to block out the noises of the world. Leon removes his dress shoes and walks around the duplex in his black socks, his shoes in one hand and your shoes in the other as he returns them to the shoe cabinet before walking back to the couch and sitting beside you. He takes your glasses and sets them down at the coffee table in front of you and takes his seat, letting out a loud sigh of his own as he gets the remote and turns the TV on to a cooking channel. Shrugging his jacket off, he turns his head to observe you for a moment only to see your eyes staring into the white ceiling of the dim living room.

“You tired?” He asks as he folds his jacket and places it on the arm of the couch, too tired to get up and place them in the bedroom or think of changing into loungewear. You nod, sitting back up as you wipe a hand across your face before reaching to get your glasses and put them back on.

“I need a drink after all that shit,” you groan as you undo one more button of your button-up. Leon hums and turns his attention back to the chef cutting the carrots, which is short-lived as he tilts it again to face you.

“I’ll help you to bed, how’s that sound? It’s better than alcohol.”

“Help me to bed after I have a nice, cold, glass of double-black whiskey.”

With that, you get up from the couch and walk up to the alcohol cabinet to get the glass. As you open the cabinet, you feel a warmth press against your back and see a strong arm reach up for 2 glasses. Leon closes the cabinet door with his free hand and sets two glasses down. His action scared you for a little bit since he walked with virtually no noise and you only felt his presence when his muscled front pressed against you, effectively trapping you in if he planned on hurting you but thank god he didn’t. He takes a jug of apple juice and pours it into his glass instead of the whiskey, which you aren’t too surprised about; he’s been 3 months sober. You just stare at him, admiring the way his arms looked amazing with crisp white sleeves rolled up until his elbows, a hand resting on the marble as he takes the glass and drinks the juice. He raises an eyebrow when he spots you staring in his peripheral, setting the glass down with a small clink against the kitchen counter.

“Like what you see?” He asks with a lazy grin and a wink. You turn your attention back to the glass he set in front of you, staring at it so intensely you would have shattered the glass with the daggers you were shooting with your tired eyes.

“You wish,” you retort as you pour the dark liquid into the glass and toss in a block or two of ice before taking a swig and feeling the liquid burn its way into your system despite the coldness that the ice offered. You hear Leon softly chuckle before having another drink of his fruit juice, his soft gaze watching over you as you take sips and loud sighs after you swallow the amber liquid. You take the tall bottle and your heavy-bottomed whiskey glass and sit down on the wooden floors, placing them down beside you. You take another swig and look at Leon, patting the space beside you.

“Sit,” you say.

“You’re saying that like I’m a dog,” your ‘husband’ responds.

“C’mere, boy! C’mere!” You teasingly say in a higher pitched voice, clapping with both your hands to beckon him to sit beside you.

Leon rolls his eyes but sits beside you, propping one knee up to rest his hand on as he looks at your glass.

“Good boy,” you say with a sly grin.

“Okay you’re a freak,” he says as he jokingly begins to sit up again but not before your free hand shoots up to grasp at his wrist.

“Okay, I’m sorry I won’t do that.”

“Right.”

“Please? Please? C’mon Leon, don’t be boring.”

“Fine.”

You smile and chuckle softly as he sits back down beside you, knuckles occasionally brushing against each other. You two sit in complete silence, the silence interrupted only by the sounds of breathing and sighs. Your gaze fell on the gold band wrapped around the base of your ring fingers, studying the way the light reflected off of the smooth surface. Eventually, your gaze flitted to Leon’s right ring finger to admire his own ring.

“It looks damn good on him,” you thought to yourself. “Damn, marriage is a good look for you, Kennedy.”

He absent-mindedly fidgeted with his ring, tilting and adjusting it; that’s what he always did when he was deep in thought or bored. You noticed it became a habit as soon as you two had to wear these rings everywhere, even on side missions. Although he could remove it when you two were in your own home, he chose to keep it on which you followed suit since it only felt right.

─────────────────────────────────────────────────────

The whiskey soon started tasting like water and now you were down to unbuttoning the second button of your work shirt. It was a little harder to keep your head up now and your lids were threatening to close. You leaned your head on Leon’s shoulder, not missing how you felt him tense up despite your inebriated condition.

“Leon, ’m sleepy.”

He looked at you, seeing how the whiskey caused your cheeks and ears to burn pink like a Fuji apple. Your lids were droopy and your eyes were glossy, an obvious sign that you were drunk and done for tonight. He chuckles softly as he adjusts you so he could carry you to your shared room.

“I’m fine, Leon.” you confidently slur as he lifted your frame up and out of the kitchen.

“Nope, you’re not. We’re going to bed now.”

“C’monnn… I can handle my… liquor like a champ...”

Leon gave you a stern look before setting you down on your side of the bed before making a quick trip back to the kitchen to fetch you a glass of water and pills to take. Despite the frequent jokes he made to make you feel a lot more comfortable in his presence, you would be lying if you didn’t enjoy this authoritative side of him outside of the field. He comes back and sets them on your bedside table, making it near enough without making the water prone to spilling due to your uncoordinated state.

“Anything else you need?” He almost slipped up and called you ‘honey’.

“Bath.”

“Gotcha.”

Since it would prove to be too difficult to get you cleaned up right now, he settled on finding a basin and a rag to wash you with. After asking your permission, he removed your garments before wiping you down to let yourself feel a little more clean before a proper bath in the morning and dressed you in a clean shirt and sleep shorts before freshening himself up to get in bed with you and calling it a night. After a few minutes, he got on his side of the bed but still kept some distance so you wouldn’t feel like your privacy was being invaded. He shifted, moving as gently as he could so the mattress wouldn’t move along with him and disrupt your sleep. He finally managed to lay on his side, his arms crossed and his eyes shut but he still kept his ears active. He suddenly remembered something and opened his eyes again; he turned around and glanced at you.

“Good night,” he said.

Normally, he’d add a sappy nickname like “sweetheart” or “honey” at the end to make his husband act feel more natural for him but he decided not to this night since he felt weird. Weird in a way that if he said it, he’d jump out of bed and dive out of a window and plummet into a pool of pink and red heart balloons while glitter bombs went off around him. He knew what he felt but he didn’t want to give it a name and properly label it; he wasn’t even sure if you saw him the same way he saw you. When you didn’t give any kind of response, he turned around and sat up to look at you through the dark, the white streetlights being the only source of light beaming in through gray curtains. He inched closer to see you and placed a finger just underneath your nostrils, hoping to feel a soft gust of warm air be expelled. When he felt that, he placed a finger on the pulse point of your neck before concluding that you really are fine, just deeply asleep.

He chuckles to himself, smiling softly as he extends a hand to brush some hair away from your forehead. Before he can stop himself, that small gesture turns into him adjusting the duvet so you wouldn’t sweat under warm bundles of fabric sometime in the night. Now, he’s trapped in your arms when you quickly extend your arms above you and yanked him down to your body. All while your eyes were still shut.

He could easily escape and retreat back to his side of the bed and really call it a night this time but he doesn’t. He decides to stay like that for a bit and he knows why but then again, he doesn’t want to name the reason.

“Y’think you’re so slick, Kennedy,” you groggily mumble. His head is pressed against your chest, his arms extended from his side in an awkward position, and he subconsciously holds a breath in.

“Jus’ tell me if you wanna cuddle,” you slur. “I know y’wanna coz I wanna too.”

You pull him off of you and lay him back down on his side of the bed, frozen in shock and baffled at how things have taken for a turn. He lays still and watches you silently with wide eyes, observing you. You crawl near him and stare at him at the side… well, an excuse of a stare since your lids were drooping and you couldn’t seem to get your eyes to focus nicely on him. You sat up and placed a hand on his stubbly cheek, gently rubbing on the bristly cheek with a soft thumb. He tensed at the delicate feel of your hands on his face, handling it with so much care as if he’s a fragile piece of artwork. A pop of color spreads on his cheeks and the tips of his ears as you look him in the eyes as if you’re trying to count all the specks of gray he didn’t know his eyes had while trying to fish out a well-hidden feeling within his weary soul.

“Ow!” Leon yelps when you suddenly pinch a cheek of his just as his eyes were about to close and savor the wholesomeness of the moment. “What’d you do that for?!”

“Y’ve got… puffy cheeks. I love that in a man.”

“Puffy cheeks?”

You give his cheek a poke before pinching them again, this time much softer than the first since we voiced out his discomfort. You continue poking and pinching the skin bristly with coarse hairs, occasionally squishing them together to make his lips puckered up. He relaxes eventually, letting you knead and feel his face. He probably had more wrinkles on his face than most men his age do and he knows he doesn’t have the best skin ever and he’s thankful that you’re drunk enough to not notice the blemishes on his face. He wants to let his hands rest on your waist and just let you do your thing but he decides against it; you’re drunk and you aren’t in the clearest headspace right now. Although his intentions with wanting to perch his hand on your waist is nothing sexual, he still doesn’t want to proceed with that.

“Gosh, your spouse after me is going to be sooo lucky,” you mumble. “You’re so sweet, kind, sexy as fuck… you’re also intimidating sometimes but you’re like a teddy bear.”

“Teddy bear, huh?”

“A teddy bear with… a teddy bear strapped with guns, bullets, and knives.”

“A teddy bear that can’t get through airport security, basically.”

His response makes you laugh a little louder than it should have, a hand falling to your chest and you throw your head back. Leon didn’t think his joke was that funny until you laughed and chortled, grinning and beaming like it’s the funniest thing you’ve ever heard. Maybe it didn’t matter anymore if no one else laughed at his lame jokes as long as you did. And what did you mean “spouse after me”? Would he be able to find someone else after your “marriage” is dissolved? He fears that he wouldn’t love as truthfully and wholly as he does with you, that his soul would always look for you in the people he’d see. What if he wants his spouse to be you, even after this mission? “Agent L/N” is for everyone to praise but at the end of the day, Y/N will be his to love. You adjust yourself and nearly plop on his side, tucked underneath his arm with one hand still on his face. Slowly, you grow drowsier as sleep pulls you deep in its embrace.

“Just… for yawn tonight,” you softly whisper while safely tucked into his side.

“You can… forget this, if you want.” Another yawn before you totally fall asleep again.

“Gosh, that hangover is going to kill you tomorrow.” Leon whispers as he adjusts the sheets over your sleeping frame again.

He shifts in the bed, making sure the arm you’re laying on is still; he wants to move it around and get circulation back in that arm again but he’d deal with a purple arm in the morning if it meant giving you a nice rest before the alcohol in your system hits you like a train tomorrow. He gazes at the ring on his hand one last time and feels a surge of joy and pride in his heart, hoping that you feel the same when you look at your own ring.

NOTE - Before I update y'all with stuff going on in my life rn, I just wanna thank 🐰 anon for this request, I hope you liked it <3 OKAY. So I was gone for almost a month because so much happened in the time that I wasn't posting much-- I passed an entrance exam to a school I will transfer to after this year is over (I'm still in the process of passing requirements), I decided to start a Chris Redfield mochiposting IG account, I got lost in another town with my classmate while walking to a groupmate's house (a man was following us both but luckily nothing bad happened to us), I got sick twice in a row in a single month (1st time: screamed too much during a sports fest, did not drink water bc there was no water around the place; 2nd time: I was running low on sleep and did not have time for a break bc of the things I was doing), I had two infections in two different systems in my body (the same time as I got sick in the aforementioned stuff :3), and had my first ever sleepover at my BFF's house (slept at 4am cb we were eating and cooking so much while watching Demon Slayer). I also nosebled while watching filmvxq's (on TT) edit (the one w Take My Breath Away as the audio) and got really lightheaded... this isn't the first time btw <33 I also nosebled over a Vergil edit and I don't know how I keep doing this <33 My neck hurts so much and I have a crippling sushi addiction. SPEAKING OF SUSHI (what I'm about to say next has no relation), I got this TikTok about tubifex worms in a dirty sewer just before I took a bath and I was so disgusted, I was fighting for my life trying not to think about the worms while I was drenched in water. Also, my grades release next Friday and I hope those grades are somewhat sexy bro I can't go to another school with the nastiest math grade... I'm very number stupid... NEWAYS, that's all and thank you for reading my fics!!!! I <33333 UUUUUUUUU!!!!!!!!!!!

The dividers are made by @cafekitsune , the images are made by me (sourced from Pinterest).

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witchofthesouls · 8 months ago

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Sam ending up throught groundbringe fuckery in Tfp would be such a vacation for him i think. Less action, less aliens ripping each other to shreds every miniute, the difference between how bay formers and tfp formers look.. Sam would look at tfp cons deadpan not afraid at all

Meanwhile the kids in Bayverse would get treated like sparklings probably(wattch Miko growl once at a con and promptly get adopted) Raf especially. Jack would take one look at everything and just go to work in NEST cafeteria until others can figure a way back home for him, Miko and Raf because he's NOT getting involved in this housefire(would avoid bay!Op like a plague something something honorary prime nonsense)

Sam is right there, chilling and spazzing on the minor things (to everyone else in TFP), while completely blasé to the major world-changing/world-ending things. He's been in more than one "end of human civilization" scenarios. It's not his first rodeo, and he's not even counting the doomsday panic of 2000 and 2012. He's immune to crazy, otherworldly shit via alien technology. If anything, he's weirdly disappointed over the lack of alienness of their Artifacts.

He literally resurrected his version of Optimus, met the Dynasty of Primes, had the Allspark in his mind, and dealt with the Fallen that manipulated gravity fields.

Sam's treating it like an unwanted vacation to a place that lied upon the brochure. That guy is like a powerful magnet for destroying Decepticon plans. He would probably fall into a chasm of a hidden Energon mine or interrupt an Artifact expedition to his advantage because 1) Allspark guided him, or 2) he was getting to antsy in the base of nothingness (no human personnel, no cafeteria, no agents, no systems or tasks for him) and did a runner.

He definitely puts his foot in his mouth when he meets Arcee. Sam would never get used to their more human-like frames.

Sam's boogeyman would be M.E.C.H.

Meanwhile, the Jasper Trio is stuck on Diego Garcia. They're taken back by the immense operation that's N.E.S.T. and feeling really lost. Miko doesn't have a Bulkhead-equivalent, Jack doesn't know what to make of the triplets, and Raf isn't clicking this Bumblebee.

Because everyone is too busy, they're trying to slot into things without getting too underfoot. Jack already has certifications related to his fast food job, so he gets into the mess hall to prepare meals for hundreds. Raf and Miko get into the science portions. Raf is making a name for himself as he has the most success bridging tech and understanding the Cybertronian script. Miko likes explosions.

The kids are boggled by all the politicking that goes into it and the more intensely magical things with the Allspark.

Those three will never, ever not laugh at Dorito-Starscream.

(Both sides have the not-so-fun realization about the malfunction connected to Unicron in the middle of Earth. That's too farfetched for anyone, but the truth literally grabbed the respective Primes with giant elemantal fists to viciously shake them.)

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that-student-that-has-homework · 10 months ago

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Al-Haitham Headcanons 03

For more Al-Haitham content: Tumblr MasterList

Have some Papatham or should I say Babatham headcanons!

As a dad, Al-Haitham is something else

This guy functions on rationality.

While he once said violence is a mode of negotiation, he isn't keen on it.

So when it comes to his kids, he will rationally walk them through whatever behavior they did that was deemed unacceptable, and explain it to them until they come to the realization that: oh yeah, what I did wasn't good.

He keeps his promises and doesn't go back on his word.

he said he’d take them somewhere? He’d get them something? He absolutely will

if he can’t because of circumstances out of his control he will communicate it to them in a way they understand

he will also make it up to them in some way. promises are to be kept.

no means no. He will not change his answer. Not easily…

As his kids get older, to encourage them to think and contemplate, he will offer them opportunities to "convince" him to change his mind through logical argument.

They fail most of the time, but the few times where they succeed are so sweet, they're giddy for like the rest of the day.

They even rush to you like: mama! Mama! I convinced baba, BABA! Can you believe it?! I convinced baba, to let me stay with *Amo (uncle) Kaveh for the weekend! Can you believe it? Baba?! I convinced Baba?!

Of course you'd just look at Al-Haitham like, “and I wasn't asked about this, why?”

You’re so proud of the kiddo. Al-Haitham is too, he looks very pleased with his child’s ability to debate.

if you ask him about it, he’ll go into great detail and even provide a commentary.

He might even consider giving them something to help them win against him in the future too.

Them winning arguments against their dad is a childhood highlight

Again, even if they’re his kids, Al-Haitham has little tolerance for them disrespecting you

While you insist that it should only be one parent disciplining a child at a time, if your kid disrespects you while you're talking to him, Al-Haitham will show up and stand behind you and give the kid a disapproving look.

His kids know about their father's lack of tolerance of disrespect towards their mother, so the kid knows what that look means.

he just stands there, like moral support for you. He knows you have to be the one to establish boundaries for your children

These kids are loved, but they are far from spoiled

The kids have a lot of access to books and literature. No surprise right?

Asking baba for a book is like asking him for a glass of water. He doesn't even think twice

For other things though...he's more difficult

Their Uncle Kaveh though? He is more likely to spoil them without thought.

especially if it annoys Al-Haitham or he said no.

Al-Haitham instead, especially as they get older, will again encourage them to "convince" him that it's a worthy investment.

How difficult it is to convince him depends, the kids have mixed success

This guy does not care about grades/academic standing.

he only cares so far as they don’t get kicked out completely: he wants them to get whatever certification they needed to support themselves through life

He is very open about his criticisms regarding the educational system.

his kids do well regardless

he wants the same comfort and freedom for his kids that he has secured for himself

#alhaitham #genshin alhaitham #alhaitham x you #alhaitham x reader #genshin x you #genshin x reader #genshin fanfic #genshin impact #genshin x y/n #genshin imagines #genshin impact fanfics #al haitham headcanons

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jadeazora · 2 months ago

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A new Message from the Masters Team is out!

Superawakening has been added as a new mechanic for strengthening 5/5 Sync Pairs. To raise a Sync Pair's Superawakening level, you'll need tomes and codices of that Sync Pair's type, as well as a Custom Superawakening Candy. You can get a Custom Superawakening Candy by going to the Superawakening screen from the Upgrades menu and exchanging items such as a Superawakening Candy, 5 Move Candy, 5 Custom Move Candy for the corresponding Sync Pair, or 5★ Move Candy for that Sync Pair's Role. (I hope they're more generous with them then. It's still a long grind to get 5⭐ Candies.)

To coincide with the addition of Superawakening, Cynthia, Steven, and Lance will each appear in a Tiered Scout + Custom Move Candy beginning on Oct31. At Tiers 1, 2, and 4, you can get one 5 Custom Move Candy for the featured Sync Pair as a present, and you'll receive two of them at Tier 5. At Tier 3, you'll be able to select one 5 Sync Pair of your choice (including the featured one) after scouting, so we hope you'll check it out.

In addition, starting Oct31, presents will be added to Scouts for new Fair-Exclusive Sync Pairs based on how many times you use the Sync Pair Scout x11. In these Scouts, the fifth and tenth presents will be one Superawakening Candy each. The first, second, third, and fourth presents will be one Move Candy Coin for the featured Sync Pair's Role, and the sixth, seventh, eighth, and ninth presents will be two of those Move Candy Coins.

Shauna to be added to the Trainer's Lodge on Nov1.

Special poses (summon poses) have been added to the Photo Feature. They can't be rotated/expressions can't be changed so they feel rather limited compared to other options available in the feature.

New SubMas event starts Oct31! Here are the details on the brothers' new Pairs:

Ingo & Chandelure are a Ghost-type Sprint Sync Pair with the Tech EX Role! They can leave the target burned or confused with their Will-O-Wisp and Confuse Ray Moves. They primarily attack with their Rising Flames Hex Buddy Move, which can be activated when there is at least one opponent that is affected by a status condition, flinching, confused, or trapped. Their Rising Flames Hex Buddy Move has various additional effects that can activate based on the status conditions and status changes the target is affected by. Also, they can reduce their Sync Move countdown with their The Train Is Leaving! Trainer Move, as well as with one of their Passive Skills, which activates when they successfully use a Max Move against a target that is affected by a status condition. Additionally, when their move is successful, they can increase all allies' Special Moves Next effect by one rank.

Emmet & Eelektross are an Electric-type Field Sync Pair. Their EX Role is Tech! When successfully attacking with their Thunder Fang Move, they have a chance to make the target flinch, and a Passive Skill of theirs can also leave the opponent paralyzed and trapped. They primarily attack with their Descending Lightning Wild Charge Buddy Move, which can be activated when there is at least one opponent that is affected by a status condition, flinching, confused, or trapped. Their Descending Lightning Wild Charge Buddy Move has various additional effects that can activate based on the status conditions and status changes the target is affected by. Also, their Aim for Victory! Trainer Move can increase an ally's Sync Move Next effect by five ranks. Another one of their Passive Skills activates when they successfully use a Max Move against a target that is affected by a status condition and can apply the Free Move Next effect to all allies. In addition, this Sync Pair can apply Unova Circle (Defensive) and create Electric Terrain.

Extreme Battle Event Pasio Subway will begin on Nov1, which rewards Co-op Sync Orbs and Move Candy Coins by completing each battle, and you'll receive Certificates of Excellence by completing Missions! One battle will be added every four days, making a total of seven battles to take on in this event. Plus, you'll get a special Title for Sygna Suit Ingo by completing the battle that will be added on Nov25, as well as a special Title for Sygna Suit Emmet by completing all of the Missions. (Had to make this bait more worth our while, I guess. Feel pretty validated in my prediction of getting Arc/Master Fairs next month.)

Early to mid-November will see the return of Story Event All Aboard the Victory Train starring Ingo and Emmet, a High Score Event where the recommended types are Fighting and Steel, and the addition of a new Ultimate Battle. There will also be an event celebrating Eevee Day in late November! (Like last year, it seems we get a ticket for one random variety Eevee Pair.)

The next Message will arrive in late November!

#pokemon masters #pokemas #subway boss ingo #subway boss emmet #submas #rival shauna #pokemon black and white #pokemon bw #pokemon xy

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gddancefloor · 5 months ago

Text

kasane teto headcanons since i have a very specific portrayal of her

for context, chimera (in the way im going for here) are a type of japanese demons that take a form similar to humans (with the exception of wings and a tail) and are known for their mischeviousness. teto is part chimera from her father's side.

teto x miku is used in here, and ted and teto are siblings, ted being the older one by 6 years.

Text HCs below the cut [warning, long!]:

UTAU Teto (15):

Sapphic. Likes girls. A lot.

She was a kid with an attitude and never smiled in photos if she was asked to, only if she wanted to. She also usually can’t look straight into a camera and looks away.

Teto developed a crush on Miku when she quietly sang for her for the first time, and was completely mesmerized by her voice. Miku was her inspiration to pursue singing.

Speaks English very, very badly and has an extremely strong Japanese accent. She usually has Miku translate things for her, but not even Miku is that great either.

Has a bit of a “chubby”/round face. Didn’t grow out of her baby-face.

Her hair naturally curled into a drill-like shape once she put her hair into ponytails, and now she chooses to exaggerate their shape by using a curling iron.

Despite not liking stereotypical pop music, she secretly likes girls who listen to it as she is into girly girls. (ahem, miku)

She doesn’t like to have her hair down, she’s embarrassed by how she looks with it and was forced by her parents to wear it down as a kid.

Cusses a lot when comfortable to. She is often horrible with manners and being “proper”, unless in a traditional Japanese setting. Otherwise, she gives zero fucks.

She has one of the most impressive singing voices and very beautiful control over her pitch, but doesn't like to sing in front of people due to stage fright.

Avoids eye contact. A LOT.

Her birth certificate lists “Chimera” as a sex by mistake from the issuer, and she is actually female. She sometimes identifies with it to mess with people and make them confused/frustrated.

As full chimeras age slower, Teto is often called a “31 year-old” despite being alive only 15 years. This is not true, as she ages normally due to being half human, and mistaking her to be older makes her angry. Unfortunately, she’s often called 31, or a “held back student” by her classmates.

She camouflages her tail as a belt, but it is very much so a real tail. She hates it being touched. In general, Teto hides any of her chimera features as much as possible in fear of being seen as a monster. If comfortable, or angry enough, they tend to come out on accident.

Miku is the only outsider that has ever seen Teto's chimera form because she trusts her. (Miku thought her wings were the coolest thing ever!)

She believes she's extremely unlucky, considering she was born on April Fool's Day, and has had nothing really go right in her life, especially in regards to bullying as a kid.

Definitely has sharp teeth. Gotta tear into that bread somehow!

Used to pull on Ted's hair and scream at him when she was a kid. To this day, she doesn't know why. He has nicknamed her "demon" for a while because of this.

Ted is quite overprotective of Teto and encouraged her to try her best to sing, even if Teto's singing was... quite bad as a kid.

She and Miku split up when they were kids due to a major argument and didn't speak again until Teto saw Miku on social media performing on stage. This is what drove Teto to become an "Online Idol" on niconico to regain the attention of her and hopefully get back in contact with her. It was just Teto made it very obvious she was being a Miku ripoff (hence the outfit).

Family doesn't like singers. They encourage every member of the Kasane family to pursue an instrumentalist career, but they never made it big, and so they had to resort to the "shameful" career of making ramen. Teto is the only successful musician AND singer in the family.

Synthesizer V Teto (late 20s):

MUCH more mature. Rarely curses, and tries to stay mannerable and quiet. She also has better control of her chimera form.

Doesn't mean she won't be bratty or snooty at times. That's just Teto naturally.

Hair reddened with age as any older Teto iterations prior to SV had her with pink hair. It's a chimera trait to have red hair and red eyes.

Is the one that handles all of Miku's (30-ish, NT) events and concerts, and likes to make sure that she's not overworking herself.

Now underneath a professional talent agency, Teto left behind her "copping Miku's style" thing behind and now dresses in something more like her style. She likes the military-chic look a lot.

Her and Miku don't get much time to hang out anymore, but they still keep in contact despite their hectic music careers.

Her and Miku are a married couple. You know how celebrity marriages are, except this one has no drama and they aren't public about it.

Teto's English is much better now and she can hold a conversation. Her accent is still quite thick though.

Just an older, more mature version of UTAU Teto. (I'll make a seperate post for her because this is getting LONG.)

I'll probably edit this a lot — it was copy-pasted from a google doc. Bear with any mistakes!!

#headcanons #kasane teto #miku x teto #teto x miku #negidrill #vocaloid #utau #teto utau #teto synthv #vocaloid headcanons #utau headcanons

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bleachification · 11 months ago

Text

⸻ WE SAIL THE STARS PT. 2

pairing: zoro x reader

word count: 2.1k

synopsis: As the sole heir of a prosperous and powerful kingdom, you have long forsaken personal desires, placing your country’s needs above all else. When talks of political marriage turn into formal certificates and a pending ceremony, you find yourself locked in a delicate struggle between duty and the pulls of a forbidden love.

Roronoa Zoro is a man of few words, but slightly more when he is by your side—which is practically every moment of every day. As your personal guard, the knight is sworn to protect you against all threats, including the existence of his own illicit feelings—ones that he must keep hidden. But can he truly do so?

note: PART ONE OF THIS FIC: we sail the stars

+ + + + + + + + + + + +

Your day begins with orchestra symphonies and sea lilies—a perfectly woven setting for idyllic matrimony. It is the embodiment of a dream wedding for someone else, under very different circumstances. Nonetheless, the venue is utter visual perfection.

Until everything goes wrong… to an almost impressive degree.

You are only halfway down the aisle, rose petals crunching under your heels, when the blackout occurs. In the span of a breath, every single candle lining the windows and aisles loses its flame, and the heavy crystal chandeliers hanging from the ceiling quickly die out in succession. One blink, and the hall is entirely robbed of all its light.

Plunged into complete darkness and disarray, anxious voices swiftly fill the venue, each one louder and more frantic than the previous. A familiar voice rings out from the far left, shouting your name across the clutter, but before you register who it is, thick arms encircle your waist from behind in a tight lock and the sweet stench of chloroform fills your lungs.

Panic shoots through your bloodstream, seizing your movements. For one terrifying second, all you can do is freeze in horror. This is how you die. Weak, scared, and alone. With no witnesses, no one to intervene, no one to save you. If Zoro were here—if you had not pushed him away and cast him aside over such petty grievances—this never would have happened. If only you had just been stronger, faster… smarter.

If only….

Awful, deprecating thoughts engulf your hazy mind, slowly imbuing your panic with something much deadlier—surrender. Somewhere in the background, piercing shouts fade into muffled murmurs, and your consciousness dutifully follows, slowly slipping away from your slackening grasp on reality.

A sudden, shrill scream snaps you out of your stupor.

Mom.

Her cry cuts off abruptly, and that is enough to shake you. Your senses return in full force, along with the painfully dry sensation in your lungs. Her distress sets your nerves alight, and you immediately begin thrashing. Limbs flailing, you try your best to pull yourself away—to get out of your assailant’s suffocating hold. Now, all your thoughts revolve around your mother’s survival instead of your own.

Can’t breathe.

Your throat and eyes burn as the chemicals continue to invade your senses. There isn’t much time left. You have to do something…anything!

A sudden thought strikes you. A small memory tickling the back of your mind—something Zoro once mentioned to you offhandedly during a training session. Something about…

That’s it.

You brace yourself, and with as much force as you can muster in your sluggish state, you slam your elbow into your attacker’s side. Sharp bone meets soft flesh, and a flicker of satisfaction comes to life when you feel the depth of your strike.

You hear a loud grunt, and the pressure around your waist loosens a little, but the man grabbing you is sturdy and unrelenting.

It’s not enough.

Your heart thunders.

Frenzied voices fade into silence.

With one last thought, you lose consciousness.

I hope your ribs are broken. Bastard.

.・。.・゜✭・.・✫・゜・。.

ZORO

The room is spinning.

It hadn’t been very long since you left—thirty minutes at most. Zoro had been polishing away, desperately trying to suppress the strange ache in his chest and his intrusive thoughts full of haunting imagery of you walking down the aisle, when the Queen herself breaks down his door. The woman, who usually exudes elegance and regality with every heeled step she takes, is stripped of any and all poise. Mascara runs down her cheeks in grey streams and her dress is torn at the hems, frayed edges brushing against the stone floor. She stumbles past the threshold and her glazed eyes meet Zoro’s own. A flicker of hope comes to life in them at his presence, but still, the queen’s dignified features are marred with fear, distress straining her every word as she chokes out sobs.

Immediately, Zoro’s blood runs cold and a sinking feeling washes over him. Your mother, gaze wide with panic, runs up and grips his arms. Her manicured nails draw blood as she digs into him. Zoro barely notices.

“You must help [name]. You must!”

No.

He can’t answer. There’s a clotting sensation in his throat. Like a handful of cotton rounds were shoved down his gullet.

“I cannot lose my child! Not like this! Not like…” She collapses, shivering. Her cries continue, but Zoro can hear none of it.

The room is still spinning.

The swordsman steps back and bumps into the table. A hoarse sound rips from his throat. He tries to speak—barely managing coherency.

“Your Majesty. Is [name] hurt…? Who?!” Zoro’s tone is harsh. Cracked. Much too abrasive to be addressing the queen, but he finds himself foregoring propriety. He can’t bring himself to care for it. Not when you are seemingly in danger.

The queen is far too absorbed in her own shock and grief to answer Zoro’s frantic questions. He is about to run out, blindly searching for you within the palace, when someone comes running down the hallway and stops right in front of the open doorway. It takes the knight a moment to realize who it is, and when he does, the world tints red.

“You,” He snarls.

Sanji raises his hands. “Look, I just—”

It doesn’t matter what the prince was about to say because he doesn’t get a chance regardless. Zoro grabs the blonde by the collar and throws him backward with brutal force. Sanji collides against the wall, pinned by Zoro’s forearm pressing against his neck.

“Hey! What the hell do you think you’re doing?” Sanji spits, hands pulling at the unrelenting muscle threatening to choke him.

“What did you do to [name]? TELL ME!”

“Are you out of your damn mind?!”

Maybe. Yes. It most certainly feels like it. He is going mad. It is the only explanation for the emotions overwhelming him—for the shrieking beast inside him; a red hot fury clawing at his innards for release. Every moment you are gone is another splitting pain bursting anew in his chest.

“Fucking think, you green-headed brute!” Sanji rasps, trying to get his words through the rage-induced fog consuming his assailant. “And get your paws off me, swordsman. Unless you’d like to waste precious time that could be spent in search of my fiancé.”

“What do you… what do you mean by search?” Zoro’s arm slackens. Sanji uses that chance to shove him away. Zoro doesn’t react, only stares at the blonde in a daze. “[Name] is gone…?”

Sanji rubs his neck and lets out a rough cough before answering. “Taken, actually. Straight from the ceremony.”

“And you just let those bastards do it?! You should have protected them!”

Sanji whips his head up, anger flashing in his eyes. “In case you forgot, that’s your job! If you would have set your ego aside for one second, maybe [name] would still be here! But you didn’t. So now, instead of throwing the blame around like it’s a game of catch, you can shut the hell up and deal with it. We need you to pull yourself together, Commander. It’s the only way we’ll get [name] back.”

“Fine. Fine.” Zoro’s anger doesn’t drain—not completely—but it is overtaken by steely determination as he sobers up to Sanji’s words. As much as he despised it, the prince was right. Saving you was top priority.

“Gather the corps. This is not only a search and rescue. It is a manhunt.”

Both men set off in silence, their only thoughts center on finding you and making the ones responsible pay. In less than ten minutes, Zoro has his unit of soldiers gathered in the main conference room. Sanji sits across from him, opposite the head of the circular table.

“What information do we have so far? I….” Zoro’s jaw works as guilt creeps up within. “I was not present.”

“Highly premeditated. They were able to infiltrate your security system flawlessly,” Sanji answers, eyes boring into the swordsman.

One of Zoro’s advisors speaks up. “We are in an era of peace. The country faces no enemy—no uprising or rebellion. And there has been no claim for this crime. They clearly do not seek ransom, or else we would have received word by now. What would be their purpose?”

A soldier nervously shuffles. “Commander. We must consider the possibility that—”

Zoro slams his fist down. The stone table cracks under the force. “[Name] is not dead. The next person who suggests such an idiotic thing will have their tongue cut out for heresy.”

Before anyone can linger on the sincerity behind that threat, the sturdy oak doors burst open, hinges squeaking in protest at the sudden force.

Luffy strolls in, a serious expression on his face. A rare sight.

“Why don’t we just ask [name] ourselves?”

Zoro narrows his eyes at the captain. “What do you mean by that?”

Luffy only ignores him, opting to scan the ceilings in search of something. “Do you hear that? Have you figured it out yet?”

The soldiers all stare at the boy with a mix of confusion and irritation, the most agitated being Zoro himself.

“Luffy, I have no time–”

“C’mon, [name]! I know it works.”

Zoro steps forward, but stops dead in his tracks as an eerie crackle flickers to life in the echoing chamber.

“Hel–Hello? Am I connected?”

Everyone freezes at your soft voice. Zoro barely manages to catch himself as he stumbles in shock and heart wrenching relief.

You are alive.

Luffy pipes up. “It’s an emergency communication device. I brought it to [name] years ago, and they had it set up in this very room. The Strategy Hall, right?”

“[Name],” Zoro rasps. All he can focus on is you. Your voice. “Where are you?”

You chuckle humorlessly. “If I had the answer to that, don’t you think I would have told you by now? I was drugged. Blindfolded. Next thing I knew, my surroundings turned into concrete walls and steel bars.”

“I’ll find you.”

Zoro can visualize your smile as you reply. “Zoro, I do not wish for you to blame yourself for this. If anything goes wrong–”

“It won’t. I will find you. That’s a promise.”

A brief pause. No one else has dared to speak a word this entire interaction.

“...Another promise, huh?”

Zoro’s stomach drops at the disappointment in your tone. It kills him that your relationship with him was left on such rocky, uncertain terms.

His mind is racing, random words tumbling out of his mouth as he struggles to hold himself together and think of the next step. A plan. “How did you know to set the communication device in here?”

You laugh again, a little more genuine this time. “Because I know you, Zoro. I know how you think. How you operate. Is that all you have to ask me? To say to me? You might not have much time left. Best get everything out in the open.”

“Everyone, leave,” Zoro murmurs in a low tone.

The soldiers and advisors quickly shuffle out, even Sanji and Luffy bear no resistance. As soon as the door shuts behind the latter, Zoro collapses into his seat.

“Please don’t talk like that,” he whispers, head dropping onto his crossed forearms. “Are you okay? Are you hurt?” He mentally kicks himself for not asking that first. So distracted by the news that you were alive, all rational thought fled his mind.

“A little bruised…a little battered. Only slightly traumatized, but overall I’m alright.”

Zoro nods… then realizes you can’t see him. “Good. Good.”

“I’m… Zoro, I’m really tired. Exhausted, in fact,” you sigh. “I heard them in passing conversation as I came in and out of consciousness. They do not plan on releasing me.”

Zoro stiffens.

“Not alive, at least.”

He starts saying your name, but is cut-off as you continue.

“You were right, we are… ill-fated. Doomed from the beginning for whatever it is we actually are. Two ships passing in the dead of night on unbroken, infinite paths.”

Why does it sound as if you have given up? As if he would not fight through hell itself to bring you back?

“Stop.”

“Zoro, I–”

“Stop.” His voice trembles.

You sigh, weary and defeated. “Can I say it? Will you let me?”

You don’t wait for an answer and he does not give you one either. Time has run its course.

“I love you, Zoro. I’m sorry I won’t be able to say it in person.”

Those are the last words you utter before the connection flickers out, leaving Zoro alone in an empty silence, with nothing but regret and despair taking hold of him.

FIN.

Okay. Yes, it is an open ending. Please don’t murder me. If people would like, I am open to writing both the original ending (as well as an alternate ending) as shorter epilogues at a later date :P

˚ · . tags: @oonlykooii, @3v37773, @dimplewonie, @heilee, @naomihatake, @sinmp, @mrsspector-grant, @chixkadee, @fangeekkk, @cavillxhenry, @theawkwardbutterfly, @iwillalwaystrustwhoiam, @hollxe1, @bababahannah

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cantcompetewhereudontcompare · 11 days ago

Text

A complete deconstruction: Louis Tomlinson is a terrible songwriter. Part I

For years Louis' fans, spurred by the man himself, have been pedaling this lie that Louis was a "crucial" part of 1D's success through his songwriting and that, in turn, that made him a great, legendary songwriter. The best out of 1D.

That is a bold face lie that relies on people not fact-checking anything whatsoever and pulling stuff out of context.

Let's deconstruct the lie.

This first part will focus on certain things his fans (and he) say and why they're not true. It's not meant to be very fun because it's a bunch of numbers and statistics. It's meant to give you tools to debunk the lies by Louis' fans.

The fun part of this deconstruction will come in the second and third parts, which I intend to post immediately after this one.

FIRST POINT: Louis wrote most One Direction songs

No. He didn't. By any definition of the word.

most adjective 1 - in the greatest quantity, amount, measure, degree, or number: To win the most votes. 2 - in the majority of instances: Most operations are successful. 3 - greatest, as in size or extent: The most talent.

Definition #1 and #2 imply >50% of One Direction songs should have his name in the credits, correct?

Well, they don't. Louis has writing credit in 37 songs out of 91, which is 40%. It's a high number, for sure (very deceitful, but let's go with it for now), but it's not upwards of 50%, ergo, he didn't write "most One Direction songs."

Definition #3 would mean that if he had written in the most songs, as in, the largest amount among everyone, even if his percentage didn't surpass 50%, we could say that, to some degree, he's the one who wrote "the most" (still, very deceitful).

Alas, that would still be false. Two of the members of the band's songwriting team, Julian Bunetta and John Ryan, have written more songs than Louis. Julian has credit in 41, and John in 39.

You can fact check these numbers in this link.

I want to clarify, that even if Louis had written in the most songs (by any definition), it would've been largely irrelevant because of context. Zayn is on the record saying that all his ideas were dismissed and he felt side-lined.

So of course he'll have the least amount of writing credits (11 total, none of them as the sole contributor from the band).

Harry is also on the record saying he didn't want to "share" his songs. That he felt weird having other people singing about his innermost experiences, so he kept songs for himself (case in point, Two Ghosts).

[Happily is not the first time his name was on the songwriting credits, but we'll get on with that and why what he's saying isn't actually wrong at a later date]

Niall hasn't explained why he wrote fewer songs, but considering he writes all his tracks now and he actually can play instruments, and could all throughout the band, I hardly think that he was incapable of writing more. For whatever reason he chose not to.

So, Louis and Liam writing more in this context is completely meaningless. The others either weren't allowed to contribute or chose not to. It's not that Louis and Liam wrote more by virtue of being better songwriters. They wrote more by virtue of the others not writing.

Their lengthy songwriting credits are meaningless for more reasons that we'll explore soon, too, but the point I'm making here is that even devoid of all this context, the whole "Louis wrote most songs" assertion is simply not true.

SECOND POINT. "And remember, if it's a banger and by One Direction I probably wrote on it"

I know most people who would read this post already know this, but just in case, that's something Louis himself tweeted. He's wrong.

First, let's define "a banger." In this context, it would mean a hit. Their biggest songs. The most famous. The ones people consume and bop to the most.

What metrics can we take for this? Multiple. Such as:

Chart peaks (particularly in the US and the UK, their biggest markets)

Chart longevity

Certifications

Total sales

Total streams

Of course, to fact check this, I have to go by their singles. Those songs will be promoted and pushed the most, and those songs will be tracked for their stats.

Louis wrote in 6 singles, Liam in 5, Harry in 3, Niall and Zayn in 2. Who wrote "the most" singles is largely irrelevant (see the point I made above). One Direction released seventeen singles, so none of them wrote even close to "the most," and we've already established that the other three weren't really even trying.

But when Louis said that if it's a banger by 1D he probably wrote on it, in its face that would mean he has written 1D's most known and popular songs. The songs everyone bops to and instantly recognize. And as I said, this is flat out wrong.

This next bit will be largely statistical and a long list of names. I apologize because it's not super interesting, but it's kind of crucial to debunk the nonsense Louis said.

I'm listing every 1D single and its songwriters, which you can absolutely skip, I'll signal the huge block of text before and after. I want the information to be here, so you can glance at it if you need so, but it's not something you have to read in detail.

To make it a little more interactive, I'm color-coding it, going by their 1D microphones.

Green = Harry Blue = Louis Red = Liam Orange (the Irish flag) = Niall Pink (there's no yellow) = Zayn

The purple songs are the lead singles. I'm adding the album they belong to in brackets.

I know this sort of list is boring, you can just skip it and glance at it, or read the parts that you find particularly interesting, but I figured it'd be a good idea to have it all written down.

+ What Makes You Beautiful: (UAN) Carl Falk, Rami Yacoub, Savan Kotecha

+ Gotta Be You: (UAN) Augusto Rigo, Steve Mac

+ One Thing: (UAN) Carl Falk, Rami Yacoub, Savan Kotecha

+ More Than This: (UAN) Jamie Scott

+ Live While We're Young: (TMH) Carl Falk, Rami Yacoub, Savan Kotecha

+ Little Things (TMH) Ed Sheeran, Fiona Bevan

+ Kiss You (TMH) Albin Nedler, Bonn, Carl Falk, Kristian Lundin, Rami Yacoub, Savan Kotecha, Shellback

+ One Way or Another (Teenage Kicks) (charity single) Debbie Harry, John O'Neill, Nigel Harrison

+ Best Song Ever (MM) Ed Drewett, John Ryan, Julian Bunetta, Wayne Hector

+ Story Of My Life (MM) Ed Drewett, Harry Styles, Jamie Scott, John Ryan, Julian Bunetta, Liam Payne, Louis Tomlinson, Niall Horan, Wayne Hector, Zayn Malik

+ Midnight Memories (MM) Jamie Scott, John Ryan, Julian Bunetta, Liam Payne, Louis Tomlinson

+ You & I (MM) Jamie Scott, John Ryan, Julian Bunetta

+ Steal My Girl (Four) Ed Drewett, John Ryan, Jonathan Cain, Julian Bunetta, Liam Payne, Louis Tomlinson, Wayne Hector

+ Night Changes (Four) Harry Styles, Jamie Scott, John Ryan, Julian Bunetta, Liam Payne, Louis Tomlinson, Niall Horan, Zayn Malik

+ Drag Me Down (MITAM) Jamie Scott, John Ryan, Julian Bunetta

+ Perfect (MITAM) Harry Styles, Jacob Kasher, Jesse Shatkin, John Ryan, Julian Bunetta, Louis Tomlinson, Maureen Anne McDonald

+ History (MITAM) Ed Drewett, John Ryan, Julian Bunetta, Liam Payne, Louis Tomlinson, Wayne Hector

END OF THE HUGE BLOCK OF TEXT

Okay, so did he write 1D's most iconic and recognized songs? Well, no.

Color availability on tumblr is low so I have to change coding for the next bit. Pink is all five writing on the song, red is Louis + Liam, green is Louis + Harry.

I'll use top 10 for each metric.

Biggest singles overall according to Chart Masters:

* Chart masters is a website that aggregates sales and streams. It's not 100% accurate but it's the best approach we can get to the sales figure.

What Makes You Beautiful – 4,700,000

Story of My Life – 2,410,000

One Thing – 2,210,000

Little Things – 2,030,000

Live While We’re Young – 1,930,000

Best Song Ever – 1,810,000

Kiss You – 1,710,000

Drag Me Down – 1,450,000

Steal My Girl – 1,410,000

Night Changes – 1,150,000

More certifications worldwide:

What Makes You Beautiful: 9,368,000

Story Of My Life: 6,110,000

Drag Me Down: 3,793,000

Live While We're Young: 3,043,000

Little Things: 3,040,500

One Thing: 2,879,500

Best Song Ever: 2,507,500

Steal My Girl: 2,452,500

Perfect: 2,322,000

Night Changes: 2,147,500

Most viewed music videos:

What Makes You Beautiful: 1.5 billion

Drag Me Down: 1 billion

Story Of My Life: 1 billion

Night Changes: 878 million

One Thing: 808 million

Best Song Ever: 806 million

Live While We're Young: 745 million

You & I: 623 million

Perfect: 570 million

Kiss You: 563 million

UK chart peaks (longevity in brackets):

What Makes You Beautiful #1 (79 weeks)

Drag Me Down #1 (31 weeks)

Little Things #1 (27 weeks)

One Way Or Another #1 (17 weeks

Story Of My Life #2 (30 weeks)

Best Song Ever #2 (28 weeks)

Perfect #2 (20 weeks)

Live While We're Young #3 (25 weeks)

Steal My Girl #3 (22 weeks)

Gotta Be You #3 (7 weeks)

US chart peaks:

Best Song Ever #2 (21 weeks)

Drag Me Down #3 (20 weeks)

Live While We're Young #3 (16 weeks),

What Makes You Beautiful #4 (34 weeks)

Story of my Life #6 (32 weeks)

Perfect #10 (20 weeks)

Midnight Memories #12 (3 weeks)

Steal My Girl #13 (18 weeks)

One Way Or Another #13 (8 weeks)

Night Changes #31 (20 weeks)

If we average all of these different metrics, the order would be this (in case of a tie, whichever song has more streams on Spotify goes first):

What Makes You Beautiful 5 metrics, 1.6 average

Story of my Life 5 metrics, 3.4 average

Drag Me Down 5 metrics, 3.4 average

Best Song Ever 5 metrics, 5.2 average

Live While We're Young 5 metrics, 5.4 average

Perfect 4 metrics, 7.75 average

Night Changes 4 metrics, 8.5 average

Steal My Girl 4 metrics, 8.5 average

Little Things 3 metrics, 4 average

One Thing 3 metrics, 4.67 average

One Way or Another 2 metrics, 6.5 average

Kiss You 2 metrics, 8.5 average

Gotta Be You 2 metrics, 9.5 average

Midnight Memories 1 metric, 7

You & I 1 metric, 8

History No metrics

More Than This No metrics

Of the three singles Louis and Liam wrote together, only one makes the top 10 at 8. And that single is the lead for Four, remember what I said about leads being the songs that have a better chance at charting and selling well? Steal My Girl is by far the least successful lead single 1D has released at #8 (all the other four lead singles are in the top 5). I think it's actually kinda funny, ngl.

So far his "banger" assertion isn't really making that much sense, is it? He didn't write on even close to a majority of the singles, and the ones he did write, aren't really the biggest hits either...

There's a way for us to do this sort of assessment of "bangers" with non-singles. For that, the only tool we really have are Spotify streams.

I'll add a disclaimer that I think is important: ONE DIRECTION WASN'T ACTIVE IN THE STREAMING ERA.

The streaming era is largely regarded to start in 2015, when Billboard (the company that tracks the US charts) started including streams in their formulas, but it didn't really kick into gear until a couple of years later.

Look at this chart of Spotify active users from the first quarter of 2015 on. There were 68 million in 2015 vs 615 million in 2024. And this doesn't include 4 out of the 5 years 1D was active in.

1D actually got a lot of new streaming bests after Liam's passing, because of course people started to listen to their catalog there actively for the first time.

What I'm going to use streaming for is for their non-singles. There's no way to know how many units those songs sold unless you have access to their raw data (which only their team has), so streaming is as close of a guess as we can have as to which non-singles are popular.

Something I haven't detailed yet is the total amount of written songs by all members of the band. Let me do that:

List of writing credits:

Zayn - 11 9 tracks, 2 singles

Niall - 16 14 tracks, 2 singles

Harry - 21 18 tracks, 3 singles

Liam - 34 29 tracks, 5 singles

Louis - 37 31 tracks, 6 singles

Since there's such disparity in the number of songs written, let's do an average per track (excluding singles, since those have been analyzed already)

Zayn: 93,953,458 Niall: 102,031,790 Liam: 129,623,606 Louis: 137,115,106 Harry: 157,811,404

Harry has by far the largest average, Louis trails behind by 20M+ with Liam somewhat closer.

Just for shits and giggles, I wondered how many of the songs they'd written were above 100M:

Zayn 2/9 = 22%

Niall 6/14 = 43%

Liam 13/29 = 45%

Louis 14/31 = 45%

Harry 9/17 = 53%

Well, well, well... isn't that very curious?

IDK I think that it's starting to sound like if it's a banger by One Direction Harry probably wrote on it

I'm absolutely joking, btw, if it's a banger by One Direction Julian Bunetta probably wrote on it. But I will say, quantity <<<< quality.

I think it's safe to say that Louis didn't write 1D's bangers and he's full of himself.

THIRD POINT. "Louis was the main songwriter and the most important one in the band"

Louis wrote most of his songs by committee, so this is absolutely ridiculous to say. I mean, all five of them had a lot less say in the sound of 1D than fans would like to believe, but nobody is claiming any of the others were the "key member" because of their songwriting, so...

Aside from Zayn, who always wrote with at least two other members of the band + several other co-writers, we can actually look at who they were writing with and determine how important each member was for each song.

I'm taking these songs out of the equation because all five wrote on them, and that fully neutralizes them as an argument.

Night Changes

Story Of My Life

Fool's Gold

Taken

Summer Love

Change Your Ticket

Same Mistakes

Everything About You

Irresistible

Also taking out AM and Back For You, because while Zayn didn't write in them, all the other four did, and I'm not going to consider Zayn for this part of the point.

To make it more visually impactful, I'm color-coding the list. Red will be the most common number of co-writers, orange the mid, and green the low.

LOUIS - 26 tracks

Two with 2 co-writers.

Five with 3 co-writers.

Nine with 4 co-writers.

Six with 5 co-writers.

Two with 6 co-writers.

Two with 7 co-writers.

Average 4.3 co-writers per song

---

LIAM - 23 tracks

One with 2 co-writers.

Two with 3 co-writers.

Twelve with 4 co-writers.

Five with 5 co-writers.

One with 6 co-writers.

Two with 7 co-writers

Average 4.2 co-writers per song

---

NIALL - 5 tracks

Two with 3 co-writers.

Three with 4 co-writers.

Average 3.6 co-writers per song

---

HARRY - 10 tracks

Four with 2 co-writers

Three with 3 co-writers

One with 4 co-writers

One with 5 co-writers

On with 6 co-writers

Average 3.2 co-writers per song

Louis usually wrote with 4 or 5 other people, so did Liam. Niall usually wrote with 4 or 3. Harry usually wrote with 2 or 3. I think that is EXTREMELY telling.

How important can you be for a song if you're writing it with several others? And this, this is the crux of the issue.

It's why this whole argument about how "important" Louis was for 1D and how he was such a great songwriter is utter bullshit.

This is the climax of this very boring post. The most important part.

I'm going to try to simplify this as much as I can. Try to bear with me.

When you write a song, you have to register the songwriters to get royalties (to get PAID). When a song has multiple songwriters, (most of the time) each one will get paid according to what they did on the song. In most cases, someone will have come up with the melody, which is a key part. Someone will have written most of the lyrics. Someone else might just get credit for suggesting adding an instrument or changing a part of an arrangement, switching a line, whatever

Each of these people will have songwriting credit, but not all of them will have contributed equally. And that's something that in most cases is actually divided when you register the credits of a song. You agree with your co-writers on who gets what % of the credits and that's how you register it. So when you get paid for it (what's called "royalties") each person gets compensated fairly for their contributions.

Whoever wrote the most will get paid the most, and so forth.

So how does this happen? Well, I have to explain something else very briefly. In order to get paid royalties, you have to register in a company that collects them (they collect from radio, from streaming services, from your song being used on TV, etc). The companies that do this are called Performance Rights Organizations, shortened to PRO.

There are multiple different PROs that you can get signed to. Different countries will have different PROs. In America the two most common ones are ASCAP (American Society of Composers, Authors, and Publishers) and BMI (Broadcast Music Inc.). There are other PROs in America, and there are other PROs in other countries.

In 1D, Zayn is signed to BMI, Liam, Louis, and Niall are all signed to PRS (Performing Rights Society), which is a British pro, Harry is signed to GMR (Global Music Rights), which is a newish American PRO founded by Irving Azoff.

BMI and ASCAP created Songview in 2020. Songview is a platform that allows you to search their databases and see their catalogs in an organized way. Songview will typically tell you if BMI or ASCAP control a song and what percentage of it they control.

One thing to keep in mind, foreign PROs (such as PRS) will collect royalties through an American PRO, typically either BMI or ASCAP (but it could be another one, such as SESAC or GMR), and that will depend on the individual arrangement the songwriter has. In Songview, royalties for those PROs will show up under either BMI or ASCAP, even if the songwriters aren't signed to them.

If the song is under another American PRO that isn't BMI or ASCAP, Songview will just show it as "other."

Songview isn't 100% infallible. There can be mistakes. You can access it through either ASCAP or BMI's website and the information will largely be the same. It's possible one of the two will have more details (usually BMI is friendlier to navigate). There can be mistakes, but they're rare.

Now, since what we're analyzing is the songs written while the guys were in 1D, I have to add another disclaimer. While the guys were in the band, all their songs were under a publisher (I'm not going to explain this, it's too much, you can look it up). The publisher's name was PPM Music LTD. All of 1D's songs went through that, regardless of who wrote them. So, if all five wrote on a song (like on Story Of My Life), we can't get their individual %. The individual % exists, but it's impossible to discriminate unless you have access to the filing information, which we do not.

PPM Music was signed to PRS and collected through BMI. I use past tense because, while it still collects their royalties, nobody is registering their songs through it anymore.

What's the point of all this? Well, we can do a little logic-guesswork-looky and get an estimate of the % of songwriting credits the guys have in several songs they've written for 1D.

For instance, let's look at Back For You, which is a song 4 members of 1D (everyone except Zayn) wrote for their second album, alongside Savan Kotecha (ASCAP), Rami Yacoub (BMI), and three Swedish songwriters called Carl Falk, Albin Nedler, and Kristoffer Fogelmark. These three Swedish songwriters are signed to STIM (which literally translates to Swedish Performing Rights Society).

The breakdown of this song is 85% for ASCAP, 10% for BMI, and 5% for "other."

We don't know any of this for sure, but most likely scenario, one of the STIM songwriters is collecting through an American PRO that isn't BMI or ASCAP (hence "5% other"), while the other two + Savan are collecting through ASCAP (85%).

Rami Yacoub + the 1D guys are all collecting through BMI and they divide the 10% controlled by it. Most likely scenario, Rami has 5% and the 1D guys split the remaining 5. Why? Because he was a professional songwriter and the 1D guys were teenagers who were just dipping their toes in music? Hahaha.

But aside from that, keep one thing in mind that's important. Carl Falk, Rami Yacoub, Savan Kotecha, and later on Julian Bunetta, John Ryan, and Jamie Scott were hired by their label to write music for 1D. They weren't going to sit for hours on a studio only to write 1% of a song. Typically, if you have a team of professional writers on a song, they'll either split credits evenly (because they do it as a 9 to 5 job) or there'll be one or two (usually the producers) who get slightly more credit.

But, okay, this is for their second album. The 1D guys were still finding their footing, right? Surely they'll contribute more down the line, once Louis TOOK CHARGE!

Okay, so here's Fool's Gold, which was written for their fourth album.

There's only one ASCAP writer (Maureen McDonald), but she has 40% of the writing credit. The remaining 60% is divided between all five members of the band + James Needle.

As per what I said above, James Needle probably had 40% as well, meaning the remaining 20% is divided in 5, which each member getting 4%.

But maybe I'm making assumptions! Alright. Let's go to History, Ed Drewett is with ASCAP and he has 32% of the writing credit. Leaving 68% to be divided by John Ryan, Julian Bunetta, Liam, and Louis. Considering Julian and John also PRODUCED the fucking song they most likely had equal parts or more than Ed Drewett. If we assume equal, that's 96% songwriting credit for Ed, Julian, and John and 4% to be divided between Liam and Louis.

We don't really have the luxury of knowing exact breakdowns because sadly, most songwriters involved with 1D are signed to BMI. We have to resort to this sort of guesswork, but it's pretty straightforward thinking. Julian and John (and a lot of the time, Jamie Scott as well) were instrumental in most 1D songs. They won't have less writing credit than Ed Drewett.

I'll do a breakdown song by song without all the commentary next, but keep in mind that there are a lot of songs in which 100% of the credits belong to BMI because every songwriter is signed to it. In that case I can't do any sort of breakdown. It's impossible to tell.

Those songs are...

From Midnight Memories: - Alive, Better Than Words, Diana, Does He Know?, Don't Forget Where You Belong, Little Black Dress, Midnight Memories, Something Great, Story Of My Life, Strong, Through The Dark

From Four: - Clouds, Illusion, Fireproof, Illusion, Night Changes, Ready To Run, Spaces, Steal My Girl

From Made In The AM: - Home, Long Way Down, Never Enough, Olivia, Walking In The Wind

The following songs are not filed on BMI or ASCAP: - Still The One, What A Feeling, and Wolves

Okay, so onto the ones I can sort of break down. Keep in mind I'm making EDUCATED GUESSES. I'm not including any more screenshots because it's getting annoying, but you can look it up here.

I'm going in order by album and tracklist

TAKEN (Up All Night)

Lindy Robbins 37.5% (ASCAP) Toby Gad 37.5% (ASCAP) Harry Styles 5% Liam Payne 5% Louis Tomlinson 5% Niall Horan 5% Zayn Malik 5%

EVERYTHING ABOUT YOU (Up All Night)

Stephen Robson 40% (ASCAP) Wayne Hector 40% (BMI) Harry Styles 4% (BMI) Liam Payne 4% (BMI) Louis Tomlinson 4% (BMI) Niall Horan 4% (BMI) Zayn Malik 4% (BMI)

SAME MISTAKES (Up All Night)

Stephen Robson 20% (ASCAP) Wayne Hector 20% (BMI) Harry Styles 12% Liam Payne 12% Louis Tomlinson 12% Niall Horan 12% Zayn Malik 12%

LAST FIRST KISS (Take Me Home)

This one is flat out wrong. Harry and Niall didn't write on this song. Also PPM Music isn't listed in the publishers. If you search the song on ASCAP, PPM Music is mentioned and Harry and Niall aren't in it, so that would be correct, but the percentages are different which confuses me further. My guess is that there's some sort of mistake in the filing on BMI, but I can't break down the percentages.

BACK FOR YOU (Take Me Home)

Already broke it down!

SUMMER LOVE (Take Me Home)

This one is complicated, there's an "other" that I can't place. So I'm gonna leave it up to god.

IRRESISTIBLE (Take Me Home)

I actually can't break this one down. There must've been a bunch of changes in societies that I can't track down.

HAPPILY (Midnight Memories)

Savan Kotecha 33.34% (ASCAP) Carl Falk 33.34% (STIM) Harry Styles 33.34%

RIGHT NOW (Midnight Memories)

I have to add screenshots here. This song was written by Harry, Liam, and Louis alongside OneRepublic frontman, Ryan Tedder. Ryan is signed with Global Music Rights (GMR, Harry's PRO that I mentioned earlier).

BMI says that they control 10% of the songwriting and 15% of the publishing, while "other" (GMR) controls 75%

But GMR says they control 70%

PPM Music LTD isn't listed as a publisher on BMI, which already happened with Last First Kiss. The difference here is that it's also not listed on ASCAP, so I don't think it's a mistake. My guess is that when Ryan moved his publishing of this song to GMR (he signed with GMR a couple of years ago), they also somehow moved Harry's rights as well, so that 70% is both Ryan and Harry's rights, and the remaining 30% is Liam and Louis'. In that case the breakdown would be:

Ryan Tedder 55% (GMR) Harry Styles 15% Liam Payne 15% Louis Tomlinson 15%

LITTLE WHITE LIES (Midnight Memories)

Ed Drewett 20% (ASCAP) Julian Bunetta 20% (BMI) John Ryan 20% (BMI) Wayne Hector 20% (BMI) Liam Payne 10% (BMI) Louis Tomlinson 10% (BMI)

WHY DON'T WE GO THERE? (Midnight Memories)

Stephen Robson 25% (ASCAP) Wayne Hector 25% (BMI) Claude Kelly 25% (BMI) Louis Tomlinson 25%

WHERE DO BROKEN HEARTS GO? (Four)

Ruth Cunningham 20% (ASCAP) Julian Bunetta 20% (BMI) Teddy Geiger 20% (BMI) Ali Tamposi 20% (BMI) Harry Styles 20%

FOOL'S GOLD (Four)

Maureen McDonald 40% (ASCAP) James Needle 40% (BMI) Harry Styles 4% (BMI) Liam Payne 4% (BMI) Louis Tomlinson 4% (BMI) Niall Horan 4% (BMI) Zayn Malik 4% (BMI)

NO CONTROL (Four)

In this one, the only non-BMI songwriter has minimal credit, which doesn't allow me to distribute the remaining 90%. It could be split evenly 18% each, or it could be 20% for the professionals and 15% for Louis and Liam, or any other division. I can only guess so much.

STOCKHOLM SYNDROME (Four)

Something similar to what happened with No Control. Johan Carlsson only has 10% of the writing credit, so I have to divide 90% between Julian Bunetta, John Ryan, and Harry. It could be even or Julian and John could have more. No way of knowing.

CHANGE YOUR TICKET (Four)

Samuel Martin 10% (ASCAP) Julian Bunetta 20% (BMI) John Ryan 20% (BMI) Harry Styles 10% (BMI) Liam Payne 10% (BMI) Louis Tomlinson 10% (BMI) Niall Horan 10% (BMI) Zayn Malik 10% (BMI)

PERFECT (MITAM)

Jacob Hindlin 17.67% (ASCAP) Maureen McDonald 17.67% (ASCAP) Jesse Shatkin 17.67% (ASCAP) Julian Bunetta 17.67% (BMI) John Ryan 17.67% (BMI) Harry Styles 5.83% (BMI) Louis Tomlinson 5.83% (BMI)

END OF THE DAY (MITAM)

Ed Drewett 17% (ASCAP) Jacob Hindlin 17% (ASCAP) Julian Bunetta 17% (BMI) John Ryan 17% (BMI) Wayne Hector 17% (BMI) LunchMoney Lewis 5% (BMI) Liam Payne 5% (BMI) Louis Tomlinson 5% (BMI)

IF I COULD FLY (MITAM)

Johan Carlsson 33.33% (ASCAP) Ross Golan 33.33% (BMI) Harry Styles 33.33%

LOVE YOU GOODBYE (MITAM)

Jacob Hindlin 40% (ASCAP) Julian Bunetta 40% (ASCAP) Louis Tomlinson 20% (BMI)

HISTORY (MITAM)

Ed Drewett 32% (ASCAP) Julian Bunetta 32% (BMI) John Ryan 32% (BMI) Liam Payne 2% (BMI) Louis Tomlinson 2% (BMI)

TEMPORARY FIX (MITAM)

Peter Kelleher 16.67% (ASCAP) Benhamin Kohn 16.67% (ASCAP) Wayne Hector 22.22% (BMI) Thomas Barnes 22.22% (BMI) Niall Horan 22.22% (BMI)

AM (MITAM)

Ed Drewett 20% (ASCAP) Julian Bunetta 20% (BMI) Wayne Hector 20% (BMI) Harry Styles 10% (BMI) Liam Payne 10% (BMI) Louis Tomlinson 10% (BMI) Niall Horan 10% (BMI)

----

Anyway, what's the conclusion here? Well, that if they were writing in big groups, then they most likely had very little say in terms of songwriting. We're talking 10% or less writing credit each. It's only when they go into smaller groups that they get a little bit more say and that's in very few songs.

I'm being extremely fair in these guesstimates and applying the same logic to everyone. Aside from very few examples (Why Don't We Go There? and Love You Goodbye, in Louis' case, Happily, If I Could Fly, and Where Do Broken Hearts Go? in Harry's, Temporary Fix in Niall's) where they have even splits in smaller groups, none of them were really the driving force in terms of songwriting.

Conclusion: Louis wasn't the key anything.

This idea that Louis was crucial for 1D's success because of his writing is fucking ridiculous by literally all metrics. He didn't write the most songs, he didn't write on most songs, he didn't write the biggest bangers or the most popular songs (not singles and not album tracks either), he wasn't the main songwriter on a single song he did write, in fact, more often than not his contribution was 10% or less of a song.

Can we end this debate for once?

We'll talk about the fact that he actually can't fucking write in the next post. I know this one was probably a little boring, but we needed to get this out of the way to get to the fun part. Which is coming next!

#Louis Tomlinson #One Direction #Liam Payne #Harry Styles #1D #Zayn Malik #Niall Horan #fandom myths #long post

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philon-awards · 6 months ago

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PHILON AWARDS 2024: Nominations are open!!

After last year's successful relaunch of this beautiful celebration of fannish creativity, KiScon is honoured to once again host the Philon Awards. Established by Jenna Sinclair and Shelley Butler in 1997, they originally were an annual event organised by The K/S Press to honour outstanding authors and artists in K/S fandom. With the permission and support of Jenna and Shelley, KiScon is happy to continue this tradition.

There are 8 categories:

Short fic (word count under 10K)

Long fic (word count 10K-50K)

Novella/novel (word count over 50K)

Podfic

Traditional Art

Digital Art

Poetry

Zines

For each category the voters will determine a Gold (first place) and a Silver (second place) winner.

Rules

Nominating and Voting:

Nominations are open until 31 August, 2024. Each fan can nominate up to 3 works per category, but you cannot nominate the same work twice.

For a work to make it onto the voting ballot, it needs at least 3 nominations. Before we add it to the ballot, we will get in touch with the creator to ask whether they are fine with this!

Voting is open from 10 September to 27 October, 2024.

The winners will be announced during KiScon 2024. Each winner will receive a certificate and a small prize.

Nominating and voting both take place via Google Forms, and you need to be logged in in order to submit the form; this ensures that people do not nominate or vote multiple times for the same work. If we suspect sockpuppet activity, we will get in touch for clarification. We keep the nomination and voting process completely confidential! Only the KiScon concom will see the submitted forms.

While *we* won't talk about who nominated what, *you* can still discuss your faves and promote them, if you feel comfortable doing so. Making fellow fans aware of great works and sharing why you love and want to nominate them, is encouraged.

You can submit the nominations form only once, but you can edit your responses if you need to add or change something (just follow the link in the email you receive after submitting the form). Please make sure to include every fanwork you want to see on the shortlist. You cannot edit your responses after nominations have closed.

To answer a question we received last year: yes, you can nominate (and vote for) your own work(s). We won't judge you. ;-)

Fanworks:

The work must focus on the pairing Kirk/Spock or Kirk & Spock. Slash (romantic and/or sexual relationship) and gen (friendship) are equally eligible. If a fic includes Kirk and/or Spock in relationships with other characters, be they canonical or original, this does not disqualify the work for the Philon Awards, as long as the focus is clearly on Kirk and Spock's relationship.

Art must feature Kirk or Spock or both of them; additional characters in the artwork are allowed, but no depiction of Kirk/Other or Spock/Other.

All universes are welcome: TOS (series and movies), TAS, and reboot, Discovery and Strange New Worlds. AUs and mirror universe are equally allowed. Crossovers between different Trek franchises or between Trek and other media are permitted, as long as Kirk and Spock are the work’s main characters.

RPF works (e.g. Shatnoy) are not eligible.

All ratings and genres are allowed. If a work among your nominations includes strong elements that would merit a warning on the AO3 (e.g. rape, major character death etc.), we'd appreciate a heads-up on the nominations form, so that we can make sure to include the warning on the shortlist.

The work must be complete. It can be part of a series, but the work itself must not be a WIP (missing chapters or a draft/unfinished sketch).

The work must have been created and published (print or online) after last year's nomination period. So everything from 1 September 2023 onwards until the end of the current nomination phase (31 August 2024) is eligible. Reprints or uploads of earlier works (e.g. a fic you wrote and published a few years ago and uploaded to the AO3 only recently) cannot take part in this contest. If a multi-chapter fic was started earlier, but the date of completion falls within the eligible range, then it can also be nominated.

For podfic the creation/publication date of the actual podfic counts, not of the written fic that inspired it.

AI-generated fic is NOT allowed.

Traditional art means that it was hand-drawn or hand-painted; scanning or photographing the finished work in order to publish it online is allowed, of course.

With digital art, we mean art that was created by a fan artist directly on a tablet or computer, or art that started out as hand-drawn and underwent significant digital alterations in the next steps. We do NOT allow AI-generated art! Manips based on still images or photos of the actors are not eligible in this contest.

Zines: Both e-zines and print zines published between 1 September 2023 and 31 August 2024 are eligible.

Last but not least: these awards are meant to be fun and a celebration of the K/S fandom. The shortlist will double as lovely rec list! We get to talk about our faves and let the creators know that we love their works.

You can fill in the nominations form embedded on the KiScon website, or (if your device does not display it properly) you can find it directly at this link.

#kirk x spock #philon awards #kiscon #star trek #space husbands #spirk

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affirmationcosmos · 17 hours ago

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Messages Of The Day:

Things are lifting up for you!!!🫶🏽🫶🏽🫶🏽

1:🫶🏽✍🏽🫶 2:❄️❤️‍🔥😜 3:🥳⭐💫

1. Hi Darling source wants you to know that you are so divinely protected and guided and loved. The energies have been shifting to better serve you and your highest good. Keep doing what you need to do to accomplish your goals. It's all about persistence. Keep going you're almost through. Some of you have exams coming up so keep studying and practicing for that!! Success is on the rise for you. Soon you'll be in a place where you will be energized from within and from without.

2. Baby it's cold outside! Haha are you guys in a winter climate? Well if so, stay bundled up!! Some of you have passions that have been brewing and it's time to take action on them. Time won't stop so start now!! Whatever has been on your mind/heart this is your sign to begin it. I'm also getting that your family/friends love your sense of humor and you know how to keep a party going. Keep smiling and making others smile because your light is helping those around you become a better version of themselves.

3. Eyyyy congrats pile three!!! You may have just completed something maybe your degree or maybe you just earned a new certificate or maybe you are getting a raise in your income. Whatever it is, congratulations!!! You did it!!! Source wants to pat you on the back and tell you, you did a great job!!! You deserve this win. You really do and you should be more open to share your wins because there are people who are so proud of you and proud of your accomplishments. They are happy to be connected to someone like you and your energy. You have nothing to worry about when it comes to connections because those who don't resonate will naturally fall off your path. You are always divinely protected in all that you do. Much love!!!

#pick a card #love #pick a pile #pick a photo #affirmations #life #truth #self love #intuitive messages #divine messages

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omegadickweek · 4 months ago

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✨THANK YOU EVERYONE!!✨

Thank you for making this year's ODW such a success! After the catch up week closed, it took us a little while to crunch some numbers and reach out to all of our completionists! I am so excited to say that 34 absolutely incredible creators participated in this year's event, creating an ASTOUNDING 145 works across platforms!

We are absolutely jaw-dropped at all of the amazing creativity that you all put on display, and are so proud of all of this year's creators; whether you created one work or seven, thank you for sharing your talent with us!!

We do want to give a special shout out to people who managed to fulfill this year's creationist challenge! Your completion certificates are under the cut, and your reward pieces will be posted in batches over the next few months. 🎉Congratulations Bullywing, Didi, EmbersOfUprising, hexenogenesis, krunklys, Lil_Sin_Bin, Midosune, necrotic-nephilim, starfall, Taxi-Cab-To-Slowtown, and YouHaveLessProof!!🎉

We also had THREE wonderful commenters who finished their comment bingo cards! Thank you for leaving at least 25 comments on ODW works during the posting and catch up weeks! We all were so inspired by your, and all the commenters, enthusiasm and enjoyment! ⭐️Thank you EmbersOfUprising, hurtpeople, and harvesterhexenon!⭐️

Finally, just as a little round up, 113 works were posted to the ao3 collection this year. For all of you numbers obsessed people out there:

69 works were explicit 😏, 19 were Teen, 17 Mature, and 8 Gen!

Top three PROMPTS: First Heat (19), Age Difference (16), and Claiming/Submission Bite (13)!

Top three omegaverse characters (besides omega Dick ofc): Alpha Bruce (21), Alpha Slade (18), and Alpha Jason (13)!

Top three SHIPS were: Sladick (22 works), Jaydick (19), and Brudick (18). A total of 34 different ships were created for, and two new Dick Grayson tags were started!

Thank you all again for such an amazing event. This was your mod team's first time running it, and it could not have turned out better. We'll continue to reblog rewards as they come out, but for the most part, see you all next year! 💙💙

#omegadickweek2024 #omega dick grayson #dick grayson

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jackdaw-and-hattrick · 2 years ago

Text

Stand at the Edge

Prologue- Next

Ao3

Damian was irritated. This was not uncommon, surrounded as he was by idiots, but today especially he was, as Todd would so eloquently put it, pissed. This was because, for reasons utterly unknown, Greyson had gone insane, obsessively cleaning the spotless mansion (until Pennyworth ordered him to stop) and incessantly bothering him about his appearance, all because of an interrogation. Why Father had decided to hold this particular interrogation within the Manor itself was yet another source of Damien’s irritation. Apparently, the suspect’s emotional involvement with Todd justified the clear risk posed by allowing this stranger into their home, despite the fact that all background checks and past interviews showed him to be a clear and dangerous unknown. If anything, Todd’s involvement with the suspect only increased the likelihood of this “Danny Nightengale” being a danger to the family. Damian did not believe that Todd was an irrational madman in constant need of supervision Father seemed to think he was, but he did not pretend the man did not pose a possible threat. There was also the possibility that Nightengale recognized how deeply compromised Farther was when it came to Todd and was using him to gain access to the family, be it as the Bats or the Waynes. If that was the case, then Damien was sure Father would not mind granting a temporary reprieval of the No-kill rule. For the family’s safety, that is. Not because he cared about Todd or any of his other siblings or their feelings, thank you.

The main area of concern surrounding Nightengale was not what they had learned, but what they hadn't. So far, he had avoided all interviews with concerning success. Furthermore, no family member had actually managed to get a photo of him. Attempts to look him up showed only that he was a student at Gotham University studying Astrophysics and Aerospace engineering, that he had a sister named Jazmine who worked as a counselor within Arkem, which was concerning within it's own right, and that he had lived with said sister until moving in with Todd three months ago. Footwork provided a few more details, such as that he worked at the Iceberg Lounge as part of the band playing the violin and that he seemed to have a number of pet birds, specifically ravens, though these birds seemed to come and go as they pleased. Neighbors reported that he was pleasant enough, though there were a number of noise complaints regarding both the birds and his apparent activity as an engineer. What was truly concerning was the total informational whiteout predating his arrival in Gotham. The transcript he had used to get into university was a forgery, as was his social security number, birth certificate, and driver's license. He had no social media presence of any sort and there was no one they could talk to who had any idea where he was from. The same went for his sister, they were both complete blanks. What was most interesting, at least according to Drake, was that the photo used on the fake driver's license looked to have been doctored, as if someone had taken an old photo and artificially aged it. None of them could think of a reason someone would need to do that.

“I still do not understand why we are bringing Todd and Nightengale here.”

Damien said, doing his best to tie his tie himself with mediocre success.

“Because,” Bruce explained, stepping in to help and rescue the tie from Damien’s increasingly frustrated attempts, “he is dating Jason, and as his family, we have every reason to want to meet him.”

Damien raised a brow. That seemed unusually irrational of Father. Perhaps the presence of Todd in the equation was interfering more than he had expected.

“Given how slippery he has proven in the past,” he continued “this is our best opportunity to engage him while minimizing both his suspicion and his likelihood to run. Furthermore, he is far more likely to be forthcoming than he would be if operating on his own turf. This gives us the upper hand more than if we attempted to meet him elsewhere.”

That was better. If there was one thing Damien appreciated about Father, it was his direct, analytical nature. Meanwhile, Greyson shouted something about needing to hide all of the chairs. Suddenly there was a knock at the front door, and a loud bang as Greyson tripped himself attempting to open it. Pennyworth, appearing suddenly at the door when Damian could have sworn he was in the kitchen, opened it before Greyson had a chance to right himself. Standing there was Todd and, assumedly, Nightengale. It suddenly occurred to Damian that he had never actually seen the man up close before. He was tall, with dark hair and brilliant blue eyes. He was thin as well, concerningly so, his joints sharp where the bones shone through. His skin was so pale, like freshly fallen snow or bleached bone. There was something terribly familiar about him, but so was probably any other pale man with black hair and blue eyes. As he grew closer, Damian noticed, snaking up Nightengale’s right arm and peaking up from the collar of his turtleneck, a Lichtenberg scar. Something in the back of his head stirred, but he couldn't think what it could possibly be. Greyson was shaking this man’s hand, offering some kind of greeting, but Damian couldn't hear it. Suddenly, Nightengale’s head snapped. Now he was looking right at Damian, his blue eyes boundless and staring as a grin stretched far wider across his face than should have been possible, wider even than the Joker and with teeth like a cat, sharp and predatory. He thought he maybe should have been frightened, though he wasn't sure why.

“Little Prince!”

Nightengale embraced Damian tightly, lifting him slightly off the ground. He wasn't sure how he had gotten so close so quickly. His skin was cold, but as comforting as an ice pack on an injury; the relief of a cold shower in the height of summer held in sharp and narrow arms. Something about this situation seemed wrong but he couldn't pin down just what it was.

“It's been so long! Look how big you’ve gotten. Ancients, the last time I saw you, you were just a shade!”

Wait. That was it.

“What do you mean, ‘last time’”

Damian willed his muscles to tense, his hands to clench into fists but they remained stubbornly relaxed.

“Dami, little light, ya sitti, don't you remember me?”

Nightengale gently set Damian and for a second he was blinded as the man was wreathed in rings of light bright as the sun. When the light faded the man had... changed. The most obvious shift was his hair, once black and now so blindingly white that it made his face shadowy and difficult to see, as well as luminescent, Lazarus green eyes, the sclera black as night. Rather than the simple black turtle neck and slacks he had come in, he was now wearing a black hazmat suit with a white belt holding what looked like an old-fashioned radio and, oddly, a thermos. He had white gloves, though they became sharp and claw-like at the tips. There were other, more subtle changes, such as how his skin grew grey, like someone who had been dead for hours, and the faint glow of the fractal Lichtenburg just visible through the suit. Damian became aware suddenly of pressure that had been building in his ears and only just released.

“No.”

“Oh...” the Man, he was not Nightengale, seemed to deflate.

“No... I... It's not... You can not.”

Damien was faintly aware that he was not making sense, but seeing that this made two of them, he felt little need to correct it. Finally, enough of his brain cells managed to collide for him to form a sentence.

“What are you doing here?”

“Damien,” Father said, careful to insert himself between his son and whoever, whatever, was floating just slightly off the ground before them, “who is this? How do you know him?”

“His name is Phantom. When I was a child, I would make up stories about him and the strange land he ruled.”

Hearing his name, Phantom smiled a much smaller, more hesitant smile than his Joker-esque grin from before. He waved slightly. Meanwhile, Father looked as if he were about to have an aneurysm. Looking about, that seemed to be the consensus amongst the onlookers, albeit Todd who laughed. Hard.

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